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Kae peeked her head in the bedroom. "What's wrong?"
Working on this sentence will give a cleaner image. She could 'peek into' the bedroom, or 'poked her head around the bedroom door'--something, but 'peeked her head in' is awkward to see.
And, if all else failed, these guys could watch her getting close with a certain female friend she had recently claimed.
Is the brother suggesting voyeurism? Why would she need to 'appease' someone who is so crude? Details.
Wait, now he's talking about me?!" Kae exclaimed.
"You would be that 'female friend' I apparently just acquired."
These thoughts weren't spoken aloud, they were flashback memories of Phoebe. How did Kae know what she was thinking?
"Phoebe starred in her coffee cup.
A typo of --stared--
There are a few other typos that you'll find with a slow read-aloud proofread.
I'm just some task to him? This kind of behavior doesn't even make any sense!"
I don't understand what 'task' means here. The brother has been doing this for years, so what is different? Details.
"Your brother said you were interested in finding a good man and I wanted to show you how good of a man I am."
Do men really introduce themselves like this if they seriously want to know the woman? I can understand if he just wants a one-time date, but how would that help her? How is her brother 'protecting' her with someone like this? I'm not sure of the path here, what are the readers to feel?
you need a good, honest man in your life!
Did he speak forcefully? I could hear him speaking quietly and was surprised at the exclamation mark.
Phoebe crossed her arms. "I don't expect my brother to understand, but you listen closely:
your own girlfriend or sister!"
I like her attitude here. She's strong and confident - sure. I don't see her crossing her arms though. I see her uncrossing them, pointing a finger and pushing it into his chest to reinforce the words she's speaking. The exclamation point works well to show me this image. Crossing her arms shows a diffident, self-conscious woman, which would work well as she walked over to meet him., but not after she became angry.
This is a good scene.
"What the hell was that in the lobby? Why do you have strange men stopping by to ask you out?
tomorrow I want all of this drama over with and out od this building."
Consider it punishment
Detail the purpose of the Womens Center. To me, it means a safe place for women to go. Is it strictly a medical center? The reason I'm confused is because of Bianca's reaction to what was clearly an unwanted confrontation. Clearly not Phoebe's fault. Details to help clarify the scene would keep the reader on the same path you're drawing. If the reaction can't be resolved, I suggest removing all traces of Bianca, including sending Phoebe home early. It doesn't help or change the story, but does confuse.
Bianca left Phoebe to recognize the previously organized boxes she had jumbled up in her anger.
Not sure what is meant here unless the bolded word is a typo of --reorganize--?
"So, you're home early?"
"Yeah. Bianca sent me home and gave me work tomorrow."
"But I thought---"
"And now I don't."
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After finishing her cleaning job, Kae drove to Phoebe's apartment for the night. When she stepped into the room, she found Phoebe laying on the couch,
These areas are reversed. They're speaking before Kae arrives.
"You know I like guys too,===========
Phoebe shrugged. "Maybe I should try it."
Inconsistent, which is okay if it's true. But add details to show her clearly, and why she still has to 'try it' if she knows she likes guys too.
This shows Phoebe as very young and still testing her wings, while 'professing' to love Kae. Flesh her out so readers can understand where she's coming from and her confusion.
staring up at the ceiling. With her arms resting above her head and feet dangling over the edge, she fingered the sheets she had shared with her lover and cried herself to sleep.
Look at and think of her position. Doesn't she seem to be relaxed and dreamy, not upset enough to cry? What do young women do when they're heartbroken? The ones I've seen draw their knees up and curl around as tight as they can. Fetus position. Or they throw themselves down on their stomach with their arms covering their heads.
These may be considered cliched, but too casual doesn't give a sad image. She doesn't seem honest so I'm not sure who she's crying for.
"Also, even though it's not directly related, I have learned how to treat gaping flesh wounds."
How is this not related to nursing?
Phoebe did just that, stiffly sitting close to the man,
closed her eyes in frustration and clenched her teeth
she didn't want to--
losing both the woman she loved and a man who was blatantly interested in her.
The impression isn't honest here either. --stiffly--and clenched-- seem to be added to assure the readers she doesn't like it, but I'm not convinced. She moved beside him quickly and willingly. It's clear he's interested in only one thing, so what is she afraid of losing?
The scene could be stronger by adding tension and details. Details could be through her thoughts if you wished, but be sure she's honest. She was attracted to him at their first meeting, (which she later denied) and they had a pleasant evening. This short excursion could be useful to show the readers the conflict going on in her mind, leading to a definite decision - if she has made a definite decision.
but that nagging voice in the back of her mind had evolved into a shouting, pleading force that refused to be silenced until that man was gone.
Let the readers know what's going on in her head as it's happening. I felt nor heard none of this emotional conflict. Telling about it afterwards doesn't work well. It sets a fence between the readers and the main character, so they can't get close to her. It hinders sympathy and credibilty, making her appear bad.
She rummaged her tiny handbag for her phone
I sugggest removing --rummaged--because a phone can't be hard to find in a 'tiny' handbag. --reached into--will show a likely image.
The story is coming along well. The main issue is with the development of Phoebe, in my opinion. She comes across as a very young girl, not sure of what she wants, much younger acting than Kae. She may be much younger, it doesn't say. The opening shows her as confident, but it's soon lost. Depending on how you want the readers to see her, she will need more work.
Why she suddenly decides she must choose between a brother who has meddled for years, and Kae, will need explaining. I didn't see an ultimatum from him. For me, it shows loss of interest in Kae and a good excuse to experiment. I agree with Kae, why do this now? Details.
Using this as a summary, I suggest adding the details to complete the story, leaving no questions unanswered. Resolve the issue with the brother since he is the cause of the story.
The story caught and held my interest and it's a good beginning. Kae is seen clearly enough for a secondary character.
Dialogue between the two is realistic.
Oh, separate the paras with a double space to keep the text from becoming one huge paragraph. The page will look neater and it'll be easier on the eyes of your readers.
I see you've a couple more pieces with these characters. Those are fun to do when you can eventually fit them together to make a long story.
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by esprit
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