An Acme Review
This rate and review is offered in the spirit of assistance. Please feel free to ignore any, or all suggestions. This is your work, and I'm just happy to have had the chance to review it!
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http://utminers.utep.edu/omwilliamson/two.htm
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What are my overall impressions?
Like Star Trek, there are fans and there are fans of poetry. I'm a fan. One of those who will never quite make it to space, unless there is a launch pad for buck-toothed, rotund-waisted, wannabe, dreamers. Poetry is like that for me; I'm a huge fan of what poets do, but not necessarily very good at it myself (except for sonnets, which I am plugging here in this review, because, next to Shakespeare, I'm the dogs at those ). However, "to thine own self be true", and while I can enjoy, and admire the power of such emotionally driven poetry, I feel I can only connect to its content through wordsmiths like yourself.
I love (so you might like) Stevie Smith. Here's a link to one of her most famous poems, which, even if you do know, is never a bad thing to read again :
http://www.bbc.co.uk/arts/poetry/outloud/smith.sht...
Okay, so you're a 'dark' poet, and I'm the 'anti-dark', but I sure enjoyed this honest, non-sensationalist, Free Verse poem, which stuck a cord with me as a human being. Good use of poetic language and the freedom the lack of structure gave you was handled very well
What are my favourite parts?
Stumbling embrace of mother and daughter,
gut wrenching fear and numbness,
helplessness and hopelessness,
collide in a tangle of despair. Beautiful language, imagery, narrative development, assonance, insight, metaphor... etc, I could go on, but the bottom line is this part of the poem dragged me kicking and screaming into the poet's mindset; I became putty in your hands from this moment forth - completely, emotionally, at your mercy as a reader. Excellent writing
Talking of which, I very rarely pick out more than one shining moment of powerful poetry, but I feel this stand-alone stanza deserves highlighting:
Blood spills freely,
knife lays glaringly aside. Why? Well, because it is very rare for me to find a poem with a strong beginning, middle and end, and this pivotal mid-section hit me with as much force as your stunning opening and jaw dropping finale. Personification of the weapon is such a simple tool, but one used to the best advantage of the poem - stunning.
What are my suggestions?
“No no,” voices sing. 'No. No', or 'No-no'?
from the teenage neck
the long hallway Think 'condensed' and look at every word as something which should earn its keep in your poem - do you really need the 'the's?
You might need a more dialogue friendly reviewer, but I've always seen 'thought' as a way something is said (so the comma and lowercase work well here), and the 'fear tickles...' is an action tag, so the full-stop in the question mark should be acknowledged, and the following 'fear' should be capitalised:
“Horrific halloween prank?”
first thought at the sight.
Unworldly mind cannot comprehend.
Absently ironing for this cannot be.
“What am I seeing?” fear tickles at her brain.
“Jim, Jim, quick!!” I'm with my hubby on this bug-bear: one end line punctuation per line. Don't over-egg the pudding. Exclamation is exclamation, so there is no need to underline it to the reader. Also, the following line needs to be capitalised.
sensing calmn she must bring sp
Thank you for sharing your work! Write on and take care
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